Silverstack covers all essential media management activities on set starting the very first moment data is loaded off the camera. The powerful software tool enables high-speed and checksum-verified copy and backup processes to multiple destinations for all kind of camera and file formats. Furthermore, Silverstack includes a First Look transcoding functionality, a comprehensive clip library and customizable report capabilities which allows to document and to summarize all essential data management processes for the film- and postproduction team. Silverstack offers advanced support for handling movie data coming from ARRI Alexa, RED, Canon C300 / C500, Sony F5 / F55, Digital Bolex, Blackmagic Cinema Camera, Indiecam, Ikonoskop, Canon DSLR, Nikon DSLR and GoPro cameras as well as from AJA and Atomos field recorders. For these cameras Silverstack includes extensive metadata and media management features, professional playback controls and further tools for quality check.
NEW
Added support for the ARRI Amira
Offload, Playback, and Transcode ProRes Clips from the ARRI Amira. Looks set in the camera are automatically applied.
Adding experimental support for M-JPEG QuickTimes recorded by a Canon 1D C
Applying Alexa Looks to Alexa clips shot with look enabled
Mark unread jobs automatically as read after entering the jobs view
Adding a reveal in finder button to the file info view
Added recent licenses button to license manager that show recently used licenses for easier license migration
Fixed that some ARRIRAW clips created in open gate mode are not displayed
Fixed handling of split R3D files (_002,_003, etc.) in library
Extracting reel name from ARRIRAW clips
Fixed rental licenses if using a non Gregorian calendar
Extracting R3D user scene, shot and take values correctly
Fixed different file size summaries in reports if r3d clips are split into several files
Fixed sometimes wrong display of job status view
Fixed changed project name is not updated in job status view
Fixed wrong in- and out-points when offloading RED Dragon clips
Removed sequence numbers from ARRIRAW clips
Fixed false color mode to match Alexa false color mode in Rec.709
